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331 - SCHNAUSS, ULRICH -& MARK PETERS- - TOMORROW IS ANOTHER DAY - (CD) 
BUREAU B


Electronic duo Ulrich Schnauss (A Long Way to Fall, A Strangely Isolated Place) and Mark Peters (of the band Engineers) return with a second collaborative album titled Tomorrow is Another Day, released by Bureau B. This second project offers a sublime exploration into their signature expressionistic landscapes while exploring the potential of a collaborative model in which Schnauss keyboards and Peters guitar work together in juxtaposition.

TRACKLISTING: 01. Slow Southern Skies 02. Tomorrow Is Another Day 03. Das Volk Hat Keine Seele 04. Inconvenient Truths 05. One Finger And Someone Else's Chords 06. Additional Ghosts 07. Walking With My Eyes Closed 08. Rosmarine 09. Bound By Lies 10. There's Always Tomorrow


Format: CD

Disc Quantity: 1
Release date: 25-10-2013
Item # : 448614     
Availability: 2/3 WEEKS, NOT IN STOCK
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332 - SCHNAUSS, ULRICH -& MARK PETERS- - TOMORROW IS ANOTHER DAY - (L+C) 
BUREAU B


Electronic duo Ulrich Schnauss (A Long Way to Fall, A Strangely Isolated Place) and Mark Peters (of the band Engineers) return with a second collaborative album titled Tomorrow is Another Day, released by Bureau B. This second project offers a sublime exploration into their signature expressionistic landscapes while exploring the potential of a collaborative model in which Schnauss keyboards and Peters guitar work together in juxtaposition.

TRACKLISTING: 01. Slow Southern Skies 02. Tomorrow Is Another Day 03. Das Volk Hat Keine Seele 04. Inconvenient Truths 05. One Finger And Someone Else's Chords 06. Additional Ghosts 07. Walking With My Eyes Closed 08. Rosmarine 09. Bound By Lies 10. There's Always Tomorrow


Format: L+C

Disc Quantity: 2
Release date: 25-10-2013
Item # : 448615     
Availability: 2/3 WEEKS, NOT IN STOCK
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333 - SCHNAUSS, ULRICH -& MARK PETERS- - UNDERRATED SILENCE - (CD) 
BUREAU B


The musicians: Ulrich Schnauss, born in Kiel in 1977, now residing in London, three solo albums released to date, Engineers keyboard player and an in-demand remixer (Mojave 3, Depeche Mode, Lunz/Roedelius, to name just a few). Mark Peters, born in Liverpool in 1975, bass player, guitarist, vocalist and songwriter in the British band Engineers, also three album releases to their name thus far. The music: synthesizer, piano, guitar and drum computer, a reduced, yet bacchanal instrumental combination of ambient, electronica and shoegaze sounds. Transporting the sound of shoegazer aesthetics into an electronic context, this is how Ulrich Schnauss once described his artistic goal. Influenced by bands such as My Bloody Valentine, Slowdive, Cocteau Twins and Chapterhouse onthe one hand, yet wholly at ease with the electronica of bands like The Orb, Bionaut, Orbital, 808 State and unequivocally appreciative of veterans of the genre, Tangerine Dream or Manuel Gottsching for example.

TRACKLISTING: 01. The Messiah Is Falling 02. Long Distance Call 03. Forgotten 04. Yesterday Didn't Exist 05. Rosen Im Asphalt 06. The Child Or The Pigeon 07. Ekaterina 08. Amoxicilin 09. Gift Horse's Mouth 10. Underrated Silence


Format: CD

Disc Quantity: 1
Release date: 03-02-2011
Item # : 423052     
Availability: 2/3 WEEKS, NOT IN STOCK
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334 - SCHNAUSS, ULRICH -& MARK PETERS- - UNDERRATED SILENCE - (L+C) 
BUREAU B


The musicians: Ulrich Schnauss, born in Kiel in 1977, now residing in London, three solo albums released to date, Engineers keyboard player and an in-demand remixer (Mojave 3, Depeche Mode, Lunz/Roedelius, to name just a few). Mark Peters, born in Liverpool in 1975, bass player, guitarist, vocalist and songwriter in the British band Engineers, also three album releases to their name thus far. The music: synthesizer, piano, guitar and drum computer, a reduced, yet bacchanal instrumental combination of ambient, electronica and shoegaze sounds. Transporting the sound of shoegazer aesthetics into an electronic context, this is how Ulrich Schnauss once described his artistic goal. Influenced by bands such as My Bloody Valentine, Slowdive, Cocteau Twins and Chapterhouse onthe one hand, yet wholly at ease with the electronica of bands like The Orb, Bionaut, Orbital, 808 State and unequivocally appreciative of veterans of the genre, Tangerine Dream or Manuel Gottsching for example.

TRACKLISTING: 01. The Messiah Is Falling 02. Long Distance Call 03. Forgotten 04. Yesterday Didn't Exist 05. Rosen Im Asphalt 06. The Child Or The Pigeon 07. Ekaterina 08. Amoxicilin 09. Gift Horse's Mouth 10. Underrated Silence

People who bought this item also bought BRUISERS, SMOGTOWN, NOFX, SOLACE, ...


Format: L+C

Disc Quantity: 2
Release date: 03-02-2012
Item # : 423053     
Availability: 2/3 WEEKS, NOT IN STOCK
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335 - SCHNEIDER KACIREK - RADIUS WALK - (CD) 
BUREAU B


The Duesseldorf / Hamburg duo Schneider Kacirek released their debut album some three years ago. A coarse energy ran through "Shadows Documents", drawing on the pair of musicians' various excursions to Kenya as producers. "Shadows Documents" was a somnambulistic interpretation of Kenyan music using drums and percussion (Kacirek) and analogue synthesizers (Schneider). No Samples. The two of them took their time working on the new album "Radius Walk". Since their debut release, they have toured extensively with the likes of John McEntire (Tortoise, The Sea and Cake). The experience of playing together in live situations has influenced how they interact as musicians, a process which has helped to shape the new record. The acoustics of Sven Kacirek's studio were set up perfectly to capture the forceful sound of the drums and analogue synthesizers as they melt into a compact whole. The result is a sonically more concentrated and more transparent LP in comparison to its predecessor.Dark bass drones and whirring percussion sounds figure prominently in the music. A fascination with repetitive rhythm is the common thread which runs through the musical development of both musicians: listen to Stefan Schneider in his other projects, the bands Kreidler and To Rococo Rot and his albums with Hans-Joachim Roedelius. Further evidence can be heard on Kacirek's solo albums, in particular on his much-lauded "Kenya Sessions". By introducing the Swedish singer Sofia Jernberg, Schneider and Kacirek have added a new dimension to their music.

TRACKLISTING: 01. Dust* 02. Duett 03. I Atlanten* 04. Arbeit 16 05. Back 06. Lumpur 07. Drums Drums 08. Smiling*

People who bought this item also bought COLOUR HAZE, DJIN, COLLINS, JUDY, TELESCOPES, THE, ...


Format: CD

Disc Quantity: 1
Release date: 07-07-2017
Item # : 503885     
Availability: IN STOCK
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336 - SCHNEIDER KACIREK - RADIUS WALK - (L+C) 
BUREAU B


The Duesseldorf / Hamburg duo Schneider Kacirek released their debut album some three years ago. A coarse energy ran through "Shadows Documents", drawing on the pair of musicians' various excursions to Kenya as producers. "Shadows Documents" was a somnambulistic interpretation of Kenyan music using drums and percussion (Kacirek) and analogue synthesizers (Schneider). No Samples. The two of them took their time working on the new album "Radius Walk". Since their debut release, they have toured extensively with the likes of John McEntire (Tortoise, The Sea and Cake). The experience of playing together in live situations has influenced how they interact as musicians, a process which has helped to shape the new record. The acoustics of Sven Kacirek's studio were set up perfectly to capture the forceful sound of the drums and analogue synthesizers as they melt into a compact whole. The result is a sonically more concentrated and more transparent LP in comparison to its predecessor.Dark bass drones and whirring percussion sounds figure prominently in the music. A fascination with repetitive rhythm is the common thread which runs through the musical development of both musicians: listen to Stefan Schneider in his other projects, the bands Kreidler and To Rococo Rot and his albums with Hans-Joachim Roedelius. Further evidence can be heard on Kacirek's solo albums, in particular on his much-lauded "Kenya Sessions". By introducing the Swedish singer Sofia Jernberg, Schneider and Kacirek have added a new dimension to their music.

TRACKLISTING: 01. Dust* 02. Duett 03. I Atlanten* 04. Arbeit 16 05. Back 06. Lumpur 07. Drums Drums 08. Smiling*

People who bought this item also bought VARIOUS, GROSSKOPF, HARALD -& EBERHARD KRANEMANN-, ESMARK, MOEBIUS/STORY/LEIDECKER, ...


Format: L+C

Disc Quantity: 2
Release date: 07-07-2017
Item # : 503886     
Availability: IN STOCK
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337 - SCHNEIDER KACIREK - SHADOWS DOCUMENT - (CD) 
BUREAU B


Kenia meets Krautronics Stefan Schneider and Sven Kacirek bring African rhythms into dark electronica Under the auspices of the Goethe Institute and Unesco, Stefan Schneider and Sven Kacirek have spent a fair amount of time in Kenya in recent years. As they travelled the country, they recorded rare, traditional music in different locations, subsequently releasing two albums of unembellished field recordings to document their findings. "Shadows Documents" takes a different approach: Schneider and Kacirek graft their acoustically gleaned impressions of Kenya onto pure electronic templates (with analogue accents). Field recordings as such cannot be heard. A central role is played by the repetitive, hypnotic element which is so integral to tribal music with its complex rhythms. Both musicians share a fascination with these very rhythms, a recurring theme in their careers to date: clearly audible in Stefan Schneiders work with Kreidler and To Rococo Rot, as well as on his albums with Hans-Joachim Roedelius. In Kacireks case we can look to his solo albums for evidence, in particular on the much lauded "Kenya Sessions". The duos modus operandi differs from that of renowned Krautrock pairings such as Dieter Moebius/Mani Neumeier or Michael Rother/ Klaus Dinger (= NEU!), where the drum kit plays a dominant role as the driving force. With Schneider and Kacirek, drums mutate into a sort of synthesizer instrument, almost subliminally melting into the sound of other instruments as a virtual observer, adding a certain nuance here and there, rather than performing a more catalytic function. Played with greater restraint, the drums create variations, translating physique into precision. Synthesizers, meanwhile, assume many of the percussive duties. A prominent guest musician joins the duo on one track. Niklas Addo Nettey, a Berlin resident since the early 80s, played with Fela Kuti 70.

TRACKLISTING: 01. Doubles (4:52) 02. Hand An Wand (4:15) 03. To Microphone (4:27) 04. Birds, Bell And Sticks (2:31) 05. Low Rhythm (5:09) 06. Electro Electronics (5:45) 07. Talwerk (4:33) 08. We Will Need Each Other (2:37) 09. Spiegelmotiv (6:12)

People who bought this item also bought PALADINS, THE, LIEBEZEIT, JAKI & HANS JOACHIM IRMLER, HAWKWIND, LEE, BUNNY "STRIKER", ...


Format: CD

Disc Quantity: 1
Release date: 16-01-2015
Item # : 470711     
Availability: IN STOCK
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338 - SCHNEIDER KACIREK - SHADOWS DOCUMENT - (L+C) 
BUREAU B


Kenia meets Krautronics Stefan Schneider and Sven Kacirek bring African rhythms into dark electronica Under the auspices of the Goethe Institute and Unesco, Stefan Schneider and Sven Kacirek have spent a fair amount of time in Kenya in recent years. As they travelled the country, they recorded rare, traditional music in different locations, subsequently releasing two albums of unembellished field recordings to document their findings. "Shadows Documents" takes a different approach: Schneider and Kacirek graft their acoustically gleaned impressions of Kenya onto pure electronic templates (with analogue accents). Field recordings as such cannot be heard. A central role is played by the repetitive, hypnotic element which is so integral to tribal music with its complex rhythms. Both musicians share a fascination with these very rhythms, a recurring theme in their careers to date: clearly audible in Stefan Schneiders work with Kreidler and To Rococo Rot, as well as on his albums with Hans-Joachim Roedelius. In Kacireks case we can look to his solo albums for evidence, in particular on the much lauded "Kenya Sessions". The duos modus operandi differs from that of renowned Krautrock pairings such as Dieter Moebius/Mani Neumeier or Michael Rother/ Klaus Dinger (= NEU!), where the drum kit plays a dominant role as the driving force. With Schneider and Kacirek, drums mutate into a sort of synthesizer instrument, almost subliminally melting into the sound of other instruments as a virtual observer, adding a certain nuance here and there, rather than performing a more catalytic function. Played with greater restraint, the drums create variations, translating physique into precision. Synthesizers, meanwhile, assume many of the percussive duties. A prominent guest musician joins the duo on one track. Niklas Addo Nettey, a Berlin resident since the early 80s, played with Fela Kuti 70.

TRACKLISTING: 01. Doubles (4:52) 02. Hand An Wand (4:15) 03. To Microphone (4:27) 04. Birds, Bell And Sticks (2:31) 05. Low Rhythm (5:09) 06. Electro Electronics (5:45) 07. Talwerk (4:33) 08. We Will Need Each Other (2:37) 09. Spiegelmotiv (6:12)

People who bought this item also bought STARR, JAKE, MARY'S KIDS, ...


Format: L+C

Disc Quantity: 2
Release date: 16-01-2015
Item # : 470712     
Availability: 2/3 WEEKS, NOT IN STOCK
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339 - SCHNEIDER TM - CONSTRUCTION SOUNDS - (CD) 
BUREAU B


It happened like this: While improvising at home with his electronic equipment, Dresselhaus at some point noticed that his music was increasingly beginning to imitate the sounds and structures of the construction site noise that surrounded him daily for up to 15 hours at a time and periodically brought him to the brink of a nervous breakdown. Perhaps as a kind of defense mechanism, he began to record the sounds and patterns produced by the construction workers and their machines, and even began to have fun in doing so. Gradually he had the feeling that the workers, whether consciously or unconsciously, were using their tools much like musical instruments, even interacting, as if they were producing improvised music. "Construction Sounds" combines these moments with the electronic recordings that Dresselhaus made during this period. He only minimally processed the recordings, as he wanted to make "those beautiful moments, generated by unknown construction workers, which I sometimes even heard as cosmic music" available to a wider audience as faithfully as possible.Under no circumstances should one confuse "Construction Sounds" with industrial music, which either uses conventional instruments to sound like factory noise (like Kluster in 1970) or uses industrial noises as mere atmospheric or rhythmic additions to music made using instruments, as Einsturzende Neubauten did in the early 80s. For Dresselhaus, the sounds of construction are the music itself. Important: This album is not a statement, it's just beautiful music. Anyone delving into these sounds will experience it much like Dresselhaus: From the cacophony, a symphony.

TRACKLISTING: 01. Construction Sounds (13:06) 02. Container (6:15) 03. Pneumanisch (1:40) 04. Grinder In The Sky (8:24) 05. Container Redux (1:25) 06. Bimanual Complexity (10:42)

People who bought this item also bought ENO/MOEBIUS/ROEDELIUS, SCHNITZLER, CONRAD, COLE, LLOYD/HANS-JOACHIM ROEDELIUS, MYTHOS, ...


Format: CD

Disc Quantity: 1
Release date: 28-09-2012
Item # : 429793     
Availability: IN STOCK
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340 - SCHNEIDER TM - CONSTRUCTION SOUNDS - (L+C) 
BUREAU B


It happened like this: While improvising at home with his electronic equipment, Dresselhaus at some point noticed that his music was increasingly beginning to imitate the sounds and structures of the construction site noise that surrounded him daily for up to 15 hours at a time and periodically brought him to the brink of a nervous breakdown. Perhaps as a kind of defense mechanism, he began to record the sounds and patterns produced by the construction workers and their machines, and even began to have fun in doing so. Gradually he had the feeling that the workers, whether consciously or unconsciously, were using their tools much like musical instruments, even interacting, as if they were producing improvised music. "Construction Sounds" combines these moments with the electronic recordings that Dresselhaus made during this period. He only minimally processed the recordings, as he wanted to make "those beautiful moments, generated by unknown construction workers, which I sometimes even heard as cosmic music" available to a wider audience as faithfully as possible.Under no circumstances should one confuse "Construction Sounds" with industrial music, which either uses conventional instruments to sound like factory noise (like Kluster in 1970) or uses industrial noises as mere atmospheric or rhythmic additions to music made using instruments, as Einsturzende Neubauten did in the early 80s. For Dresselhaus, the sounds of construction are the music itself. Important: This album is not a statement, it's just beautiful music. Anyone delving into these sounds will experience it much like Dresselhaus: From the cacophony, a symphony.

TRACKLISTING: 01. Construction Sounds (13:06) 02. Container (6:15) 03. Pneumanisch (1:40) 04. Grinder In The Sky (8:24) 05. Container Redux (1:25) 06. Bimanual Complexity (10:42)

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Format: L+C

Disc Quantity: 2
Release date: 28-09-2012
Item # : 429794     
Availability: 2/3 WEEKS, NOT IN STOCK
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341 - SCHNEIDER TM - GUITAR SOUNDS - (CD) 
BUREAU B


"Sounds" series part two: Electric guitar explorations. Dirk Dresselhaus a.k.a. Schneider TM turned building site noise into music on "Construction Sounds", the album which preceded "Guitar Sounds". On his latest offering, he explores the full potential of the electric guitar and an array of effects.Dresselhaus is no stranger to the instrument, it is fair to say. He played guitar in the 1990s for several experimental indie combos and has made liberal, idiosyncratic use of the instrument over the past couple of decades as Schneider TM in electronic music, film, radio plays and various other sound projects. Technical perfection is not paramount on "Guitar Sounds". The focus is on spontaneity, improvisation-if the result is flawed in the classic sense of the word, this concerns him not one iota. Dresselhaus is interested in atmosphere, in the intensity and magic of the initial moment when decisions are made and played without knowing which direction they will take or where they might end-music without a safety net, so to speak.

TRACKLISTING: 01. Landslide (8:18) 02. Teilhard (11:15) 03. First Of May (4:36) 04. Elefantenhaut (4:40) 05. Ueberzahl (17:54)


Format: CD

Disc Quantity: 1
Release date: 11-10-2013
Item # : 443726     
Availability: IN STOCK
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342 - SCHNEIDER TM - GUITAR SOUNDS - (L+C) 
BUREAU B


"Sounds" series part two: Electric guitar explorations. Dirk Dresselhaus a.k.a. Schneider TM turned building site noise into music on "Construction Sounds", the album which preceded "Guitar Sounds". On his latest offering, he explores the full potential of the electric guitar and an array of effects.Dresselhaus is no stranger to the instrument, it is fair to say. He played guitar in the 1990s for several experimental indie combos and has made liberal, idiosyncratic use of the instrument over the past couple of decades as Schneider TM in electronic music, film, radio plays and various other sound projects. Technical perfection is not paramount on "Guitar Sounds". The focus is on spontaneity, improvisation-if the result is flawed in the classic sense of the word, this concerns him not one iota. Dresselhaus is interested in atmosphere, in the intensity and magic of the initial moment when decisions are made and played without knowing which direction they will take or where they might end-music without a safety net, so to speak.

TRACKLISTING: 01. Landslide (8:18) 02. Teilhard (11:15) 03. First Of May (4:36) 04. Elefantenhaut (4:40) 05. Ueberzahl (17:54)


Format: L+C

Disc Quantity: 2
Release date: 11-10-2013
Item # : 443727     
Availability: 2/3 WEEKS, NOT IN STOCK
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343 - SCHNITZLER, CONRAD - BLAU - (CD) 
BUREAU B


Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germanys electronic music avant-garde. A student of Beuys and Stockhausen, he founded Berlins legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The blue album from 1974 and was Schnitzlers second solo LP. Digipak reissue with liner notes by Asmus Tietchens, rare photos and six bonus track (CD + download only).

TRACKLISTING: 01. Die Rebellen Haben Sich In Den Bergen Versteckt 02. Jupiter 03. Wild Space 1 (bonus) 04. Wild Space 2 (bonus) 05. Wild Space 3 (bonus) 06. Wild Space 4 (bonus) 07. Wild Space 5 (bonus) 08. Wild Space 6 (bonus)

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Format: CD

Disc Quantity: 1
Release date: 15-06-2012
Item # : 427404     
Availability: IN STOCK
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344 - SCHNITZLER, CONRAD - BLAU - (LP) 
BUREAU B


Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germanys electronic music avant-garde. A student of Beuys and Stockhausen, he founded Berlins legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The blue album from 1974 and was Schnitzlers second solo LP.

TRACKLISTING: 01. Die Rebellen Haben Sich In Den Bergen Versteckt 02. Jupiter

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Format: LP

Disc Quantity: 1
Release date: 15-06-2012
Item # : 427405     
Availability: 2/3 WEEKS, NOT IN STOCK
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345 - SCHNITZLER, CONRAD - CON 3 - (CD) 
BUREAU B


Originally released in 1981 on Sky 061. Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germanys electronic music avant-garde. A student of Joseph Beuys, he founded Berlins legen-dary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. "Con 3" (1981) was Schnitzlers sixth regular and most "commercial" album and furthermore his first one with vocals. Liner notes by Asmus Tietchens. Featuring six bonus tracks. Available on CD (Digipak).

TRACKLISTING: 01. Kohlen 02. Naechte In Kreuzberg 03. Hongkong 04. Komm Mit Nach Berlin 05. Wer Sind Wir Denn 06. Coca 07. Seemannslied 08. Das Tier 09. Tanze Im Regen 10. Con 3.1 11. Con 3.2 12. Con 3.3 13. Con 3.4 14. Seemannslied (alt. Mix) 15. Wer Sind Wir Denn (alt. Mix)

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Format: CD

Disc Quantity: 1
Release date: 19-10-2012
Item # : 430551     
Availability: 2/3 WEEKS, NOT IN STOCK
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346 - SCHNITZLER, CONRAD - CON 3 - (LP) 
BUREAU B


Originally released in 1981 on Sky 061. Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germanys electronic music avant-garde. A student of Joseph Beuys, he founded Berlins legen-dary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. "Con 3" (1981) was Schnitzlers sixth regular and most "commercial" album and furthermore his first one with vocals. Liner notes by Asmus Tietchens. Featuring four bonus tracks and on 180 Gr vinyl.

TRACKLISTING: 01. Kohlen 02. Naechte In Kreuzberg 03. Hongkong 04. Komm Mit Nach Berlin 05. Wer Sind Wir Denn 06. Coca 07. Seemannslied 08. Das Tier 09. Tanze Im Regen 10. Con 3.1 11. Con 3.2 12. Con 3.3 13. Con 3.4

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Format: LP

Disc Quantity: 1
Release date: 30-11-2012
Item # : 430552     
Availability: 2/3 WEEKS, NOT IN STOCK
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347 - SCHNITZLER, CONRAD - CONGRATULACION - (CD) 
BUREAU B


Conrad Schnitzler (1937-2011), composer and concept artist, isone of the most important representatives of Germanyselectronic music avant-garde. A student of Joseph Beuys, hefounded Berlins legendary Zodiak Free Arts Lab, a subcultureclub, in 1967/68, was a member of Tangerine Dream (togetherwith Klaus Schulze and Edgar Froese) and Kluster (with DieterMoebius and Hans-Joachim Roedelius) and also releasedcountless solo albums. On "Congratulacion" he experimented with the Yamaha CX5 synthesizer, new on the market. The results were surprisingly structured and harmonious for Schnitzler. "Congratulacion" was first released in 1987 on the small Spanish label Esplendor Geometrico. Featuring six Bonustracks. Essay by Asmus Tietchens.

TRACKLISTING: 01. 25.8.86 (3:12) 02. 20.8.86 (2:27) 03. 16.8.86 (2:38) 04. 25.8.86 (2:12) 05. 26.8.86 (2:34) 06. 20.8.86 (2:14) 07. 25.8.86 (1:46) 08. 21.8.86 (2:51) 09. 25.8.86 (2:22) 10. 21.8.86 (2:49) 11. 24.8.86 (1:15) 12. 21.8.86 (3:06) 13. 26.8.86 (2:17) 14. 19.8.86 (2:01) 15. 21.8.86 (3:02) 16. 24.8.86 (3:11) 17. Bonus 1 (2:28) 18. Bonus 2 (3:05) 19. Bonus 3 (3:39) 20. Bonus 4 (3:56) 21. Bouns 5 (2:14) 22. Bonus 6 (3:00)

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Format: CD

Disc Quantity: 1
Release date: 14-03-2014
Item # : 453625     
Availability: 2/3 WEEKS, NOT IN STOCK
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348 - SCHNITZLER, CONRAD - CONGRATULACION - (LP) 
BUREAU B


Conrad Schnitzler (1937-2011), composer and concept artist, isone of the most important representatives of Germanyselectronic music avant-garde. A student of Joseph Beuys, hefounded Berlins legendary Zodiak Free Arts Lab, a subcultureclub, in 1967/68, was a member of Tangerine Dream (togetherwith Klaus Schulze and Edgar Froese) and Kluster (with DieterMoebius and Hans-Joachim Roedelius) and also releasedcountless solo albums. On "Congratulacion" he experimented with the Yamaha CX5 synthesizer, new on the market. The results were surprisingly structured and harmonious for Schnitzler. "Congratulacion" was first released in 1987 on the small Spanish label Esplendor Geometrico. Featuring six Bonustracks. Essay by Asmus Tietchens.

TRACKLISTING: 01. 25.8.86 (3:12) 02. 20.8.86 (2:27) 03. 16.8.86 (2:38) 04. 25.8.86 (2:12) 05. 26.8.86 (2:34) 06. 20.8.86 (2:14) 07. 25.8.86 (1:46) 08. 21.8.86 (2:51) 09. 25.8.86 (2:22) 10. 21.8.86 (2:49) 11. 24.8.86 (1:15) 12. 21.8.86 (3:06) 13. 26.8.86 (2:17) 14. 19.8.86 (2:01) 15. 21.8.86 (3:02) 16. 24.8.86 (3:11) 17. Bonus 1 (2:28) 18. Bonus 2 (3:05) 19. Bonus 3 (3:39) 20. Bonus 4 (3:56) 21. Bouns 5 (2:14) 22. Bonus 6 (3:00)

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Format: LP

Disc Quantity: 1
Release date: 14-03-2014
Item # : 453626     
Availability: IN STOCK
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349 - SCHNITZLER, CONRAD - CONRAD & SOHN - (CD) 
BUREAU B


Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germanys electronic music avant-garde. A student of Joseph Beuys, he founded Berlins legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. "Conrad & Sohn" (1981) is a joint project featuring Conrad and his son Gregor. Each recorded one side of the album using the same equipment. Liner notes by Asmus Tietchens. Featuring five bonus tracks (not on vinyl). (17 untitled pieces ranging from 1:32 to 5:34 minutes. Seven tracks by Conrad, ten by Gregor - on vinyl only five by Gregor).

People who bought this item also bought EIGHTY EIGHT FINGERS LOUIE, BATORS, STIV, BIAFRA, JELLO -WITH THE MELVINS-, WEIRDOS, ...


Format: CD

Disc Quantity: 1
Release date: 24-05-2013
Item # : 442119     
Availability: 2/3 WEEKS, NOT IN STOCK
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350 - SCHNITZLER, CONRAD - CONRAD & SOHN - (LP) 
BUREAU B


Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germanys electronic music avant-garde. A student of Joseph Beuys, he founded Berlins legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. "Conrad & Sohn" (1981) is a joint project featuring Conrad and his son Gregor. Each recorded one side of the album using the same equipment. Liner notes by Asmus Tietchens. Featuring five bonus tracks (not on vinyl). (17 untitled pieces ranging from 1:32 to 5:34 minutes. Seven tracks by Conrad, ten by Gregor - on vinyl only five by Gregor).

People who bought this item also bought ANTI-FLAG, RIECHMANN, MOEBIUS/PLANK/NEUMEIER, MOEBIUS & BEERBOHM, ...


Format: LP

Disc Quantity: 1
Release date: 24-05-2013
Item # : 442120     
Availability: 2/3 WEEKS, NOT IN STOCK
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351 - SCHNITZLER, CONRAD - CONSEQUENZ - (CD) 
BUREAU B


Originally released in 1980 on KS 1004. Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germanys electronic music avant-garde. A student of Joseph Beuys, he founded Berlins legen-dary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roede-lius) and also released countless solo albums. "Consequenz" (1980) is Schnitzlers fourth regular album and his first album collaboration with Wolfgang Seidel (Wolf Sequenza). Liner notes by Asmus Tietchens. Featuring two bonus tracks (not included on vinyl).

TRACKLISTING: 01. Fata Morgana 02. Weiter 03. Tape 5 04. Bilgenratte 05. Afghanistan 06. Luegen Haben Kurze Beine 07. Naechte In Kreuzberg 08. Humpf 09. Ms-477 10. Pendel 11. Wer Geht Da? 12. Copacabana 13. Bonus 1 (ohne Titel) 14. Bonus 2 (ohne Titel)

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Format: CD

Disc Quantity: 1
Release date: 19-10-2012
Item # : 430549     
Availability: IN STOCK
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352 - SCHNITZLER, CONRAD - CONSEQUENZ - (LP) 
BUREAU B


Originally released in 1980 on KS 1004. Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germanys electronic music avant-garde. A student of Joseph Beuys, he founded Berlins legen-dary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roede-lius) and also released countless solo albums. "Consequenz" (1980) is Schnitzlers fourth regular album and his first album collaboration with Wolfgang Seidel (Wolf Sequenza). Liner notes by Asmus Tietchens. Available on vinyl (180g).

TRACKLISTING: 01. Fata Morgana 02. Weiter 03. Tape 5 04. Bilgenratte 05. Afghanistan 06. Luegen Haben Kurze Beine 07. Naechte In Kreuzberg 08. Humpf 09. Ms-477 10. Pendel 11. Wer Geht Da? 12. Copacabana

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Format: LP

Disc Quantity: 1
Release date: 30-11-2012
Item # : 430550     
Availability: 2/3 WEEKS, NOT IN STOCK
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353 - SCHNITZLER, CONRAD - CONTEMPORA - (CD) 
BUREAU B


Conrad Schnitzler (1937-2011), composer and concept artist, isone of the most important representatives of Germanys electronic music avant-garde. A student of Joseph Beuys, he founded Berlins legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. "Contempora" was Schnitzlers fifth regular solo album (one of seven from 1981 altogether). It is a sort of collection of sketches, reflecting Schnitzlers inexhaustible creative powers in condensed form. Liner notes by Asmus Tietchens. Featuring nine bonus tracks (on Vinyl only eight). (21 untitles pieces ranging from 0:47 to 7:07 minutes).

People who bought this item also bought FAITHFULL, MARIANNE, BIAFRA, JELLO -AND THE GUANTANAMO SCHOOL OF MEDICINE-, PHANTOM BAND, FU MANCHU, ...


Format: CD

Disc Quantity: 1
Release date: 24-05-2013
Item # : 442121     
Availability: 2/3 WEEKS, NOT IN STOCK
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354 - SCHNITZLER, CONRAD - CONTEMPORA - (LP) 
BUREAU B


Conrad Schnitzler (1937-2011), composer and concept artist, isone of the most important representatives of Germanys electronic music avant-garde. A student of Joseph Beuys, he founded Berlins legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. "Contempora" was Schnitzlers fifth regular solo album (one of seven from 1981 altogether). It is a sort of collection of sketches, reflecting Schnitzlers inexhaustible creative powers in condensed form. Liner notes by Asmus Tietchens. Featuring nine bonus tracks (on Vinyl only eight). (21 untitles pieces ranging from 0:47 to 7:07 minutes).

People who bought this item also bought KLUSTER, NO MAN'S LAND, FAY, BILL, I AM HERESY, ...


Format: LP

Disc Quantity: 1
Release date: 24-05-2013
Item # : 442122     
Availability: 2/3 WEEKS, NOT IN STOCK
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355 - SCHNITZLER, CONRAD - FILMMUSIK 1 - (CD) 
BUREAU B


In Conrad Schnitzler's sprawling archive, there are two tapes marked "Filmmusik 1975 A" and "Filmmusik 1980 B". It is hard to say which videos this music belongs to, particularly as the pieces have been left untitled. Perhaps there isn't really any film material at all. The dates are of no great help either, since the tapes feature the same tracks, albeit in varying degrees of quality. "Filmmusik 1" presents an initial selection of these finds, presented to us by Schnitzler's musical partner for many years and guardian of the archive, Wolfgang Seidel. The tracks reveal much about how Schnitzler worked. He recorded individual tracks on cassettes and then combined them, also using them live in his so-called cassette concerts. Thus we recognize certain recurring melodies, sometimes fragmented, in different places. Some tracks have the same bass loop and rhythm, only the sounds and effects have changed. The music on the "Filmmusik" tapes is extraordinarily accessible for Schnitzler: hypnotic bass lines, stoic drum rhythms, dark drones, crystalline shards of melody. Wolfgang Seidel (Populaere Mechanik, Ton Steine Scherben) talks more about Schnitzler's life and work in the liner notes.Features ten untitled tracks between 2:03 und 7:07 minutes.

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Format: CD

Disc Quantity: 1
Release date: 28-10-2016
Item # : 494440     
Availability: IN STOCK
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356 - SCHNITZLER, CONRAD - FILMMUSIK 1 - (LP) 
BUREAU B


In Conrad Schnitzler's sprawling archive, there are two tapes marked "Filmmusik 1975 A" and "Filmmusik 1980 B". It is hard to say which videos this music belongs to, particularly as the pieces have been left untitled. Perhaps there isn't really any film material at all. The dates are of no great help either, since the tapes feature the same tracks, albeit in varying degrees of quality. "Filmmusik 1" presents an initial selection of these finds, presented to us by Schnitzler's musical partner for many years and guardian of the archive, Wolfgang Seidel. The tracks reveal much about how Schnitzler worked. He recorded individual tracks on cassettes and then combined them, also using them live in his so-called cassette concerts. Thus we recognize certain recurring melodies, sometimes fragmented, in different places. Some tracks have the same bass loop and rhythm, only the sounds and effects have changed. The music on the "Filmmusik" tapes is extraordinarily accessible for Schnitzler: hypnotic bass lines, stoic drum rhythms, dark drones, crystalline shards of melody. Wolfgang Seidel (Populaere Mechanik, Ton Steine Scherben) talks more about Schnitzler's life and work in the liner notes.Features ten untitled tracks between 2:03 und 7:07 minutes.

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Format: LP

Disc Quantity: 1
Release date: 28-10-2016
Item # : 494441     
Availability: 2/3 WEEKS, NOT IN STOCK
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357 - SCHNITZLER, CONRAD - FILMMUSIK 2 - (CD) 
BUREAU B


Shortly after we released "Filmmusik 1", Jin Kawai, curator of the official Schnitzler website www.fancymoon.com, contacted us to set us right. In 2009, whilst sorting through reels of film (some shot by Schnitzler himself) and music to upload to the site, Kawai was particularly drawn to one piece entitled "Gute Fahrt". Were there any more tracks like this? Schnitzler told him there were and sent Kawai all of the other recordings.One half of "Filmmusik 2" comprises tracks from the 1975 series, the other half is a 23 minute piece with the title "Lichtpunkte und schwarze Zeichen". This music was actually written for a film (which can also be found on the internet, naturally) in 1978. We were delighted to find it in 2015 and enthusiastically searched the Schnitzler archives for more of the same. This led us to the (in some cases, incorrectly labelled) 1975 recordings and the rest is history ...

TRACKLISTING: 01. Untitled 02. Untitled 03. Untitled 04. Untitled 05. Untitled 06. Lichtpunkte Und Schwarze Zeichen

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Format: CD

Disc Quantity: 1
Release date: 10-02-2017
Item # : 499209     
Availability: 2/3 WEEKS, NOT IN STOCK
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358 - SCHNITZLER, CONRAD - FILMMUSIK 2 - (LP) 
BUREAU B


Shortly after we released "Filmmusik 1", Jin Kawai, curator of the official Schnitzler website www.fancymoon.com, contacted us to set us right. In 2009, whilst sorting through reels of film (some shot by Schnitzler himself) and music to upload to the site, Kawai was particularly drawn to one piece entitled "Gute Fahrt". Were there any more tracks like this? Schnitzler told him there were and sent Kawai all of the other recordings.One half of "Filmmusik 2" comprises tracks from the 1975 series, the other half is a 23 minute piece with the title "Lichtpunkte und schwarze Zeichen". This music was actually written for a film (which can also be found on the internet, naturally) in 1978. We were delighted to find it in 2015 and enthusiastically searched the Schnitzler archives for more of the same. This led us to the (in some cases, incorrectly labelled) 1975 recordings and the rest is history ...

TRACKLISTING: 01. Untitled 02. Untitled 03. Untitled 04. Untitled 05. Untitled 06. Lichtpunkte Und Schwarze Zeichen

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Format: LP

Disc Quantity: 1
Release date: 10-02-2017
Item # : 499210     
Availability: 2/3 WEEKS, NOT IN STOCK
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359 - SCHNITZLER, CONRAD - GELB - (CD) 
BUREAU B


Belatedly released on LP (1981) and lacking in discographical detail, this aspect is easily overlooked. On careful listening, as Schnitzler connoisseurs will also realize instantly, this album reveals itself to be an important milestone, illuminating a clear path into the future. Schnitzler had begun to free himself from the constraints of orthodox conceptual art, advancing into the wide open spaces of uncharted musical territory Asmus Tietchens.The yellow album appeared in 1981, yet it contained recordings from the year 1974, originally released in a limited run on cassette ("The Black Cassette")Digipak reissue with liner notes by Asmus Tietchens and three bonus tracks

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Format: CD

Disc Quantity: 1
Release date: 14-11-2014
Item # : 469183     
Availability: IN STOCK
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360 - SCHNITZLER, CONRAD - GELB - (LP) 
BUREAU B


Belatedly released on LP (1981) and lacking in discographical detail, this aspect is easily overlooked. On careful listening, as Schnitzler connoisseurs will also realize instantly, this album reveals itself to be an important milestone, illuminating a clear path into the future. Schnitzler had begun to free himself from the constraints of orthodox conceptual art, advancing into the wide open spaces of uncharted musical territory Asmus Tietchens.The yellow album appeared in 1981, yet it contained recordings from the year 1974, originally released in a limited run on cassette ("The Black Cassette")

People who bought this item also bought GORILLA BISCUITS, 4 SKINS, AGRESSION, DEUTSCHE WERTARBEIT, ...


Format: LP

Disc Quantity: 1
Release date: 14-11-2014
Item # : 469184     
Availability: IN STOCK
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